Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 10, 2022 | Christie's | New York | Visionary: The Paul G. Allen Collection Part I | 1 | $****** - ****** | Quatre baigneuses |
paintings
10.2 x 15.2 cm (4 x 6 in)
oil on panel
signed and dated ‘Picasso 21' (lower right)
John Quinn, New York (by July 1922).
Paul Rosenberg, New York (1926, then by descent); sale, Sotheby Parke Bernet & Co., London, 3 July 1979, lot 23.
Heinz Berggruen, Paris.
Mike Nichols, New York (acquired from the above).
Acquired by the late owner, 1998.
New York, The Museum of Modern Art; The Art Institute of Chicago; The City Art Museum of Saint Louis; Boston, Museum of Fine Arts; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Cleveland Museum of Art; New Orleans, Isaac Delgado Museum; Minneapolis Institute of Arts; Pittsburgh, Carnegie Institute; Utica, Munson-Williams-Proctor Institute; Durham, Duke University; Kansas City, William Rockhill Nelson Art Gallery; Milwaukee Art Institute; Grand Rapids Art Gallery; Hanover, Dartmouth College; Poughkeepsie, Vassar College; Wellesley College; Virginia, Sweet Briar College; Williamstown, Williams College; Bloomington, Indiana University Art Center Gallery; Alton, Monticello College and Maine, Portland Art Museum, Picasso: Forty Years of his Art , November 1939-April 1943, p. 103, no. 153 (illustrated; titled Four Classic Figures ).
New York, The Museum of Modern Art and The Art Institute of Chicago, Picasso: 75th Anniversary Exhibition, May-December 1957, p. 55 (illustrated; with incorrect medium).
New York, Duveen Brothers, Inc., Picasso: An American Tribute, April-May 1962, no. 14 (illustrated; with incorrect medium).
Seattle, Experience Music Project, DoubleTake: From Monet to Lichtenstein , April 2006-January 2007, p. 19 (illustrated in color; with incorrect medium).
M. Raynal, Picasso, Munich, 1921 (illustrated, pl. 61; dated 1922 and with incorrect medium).
A.H. Barr, Jr., Picasso: Fifty Years of his Art , New York, 1946, p. 117 (illustrated; titled Four Classic Figures ).
M. Gieure, Initiation à l'oeuvre de Picasso, Paris, 1951, pp. 71 and 333 (illustrated, fig. 48).
C. Zervos, Pablo Picasso, Paris, 1951, vol. 4, no. 278 (illustrated, pl. 98; with incorrect medium).
F. Elgar and R. Maillard, Picasso, Paris, 1955 (illustrated).
B.L. Reid, The Man from New York: John Quinn and his Friends, New York, 1968, pp. 551-552 and 683, note 61 (titled Four Classic Figures).
J. Palau i Fabre, Picasso: From the Ballets to the Drama, 1917-1926, Cologne, 1999, p. 510, no. 1017 (illustrated, p. 269; titled Four Naked Bathers and with incorrect medium).
U. Weisner, ed., Picassos Klassizismus: Werke 1914-1934, exh. cat., Kunsthalle Bielefeld, 1988, p. 323, no. 43a (illustrated).
PABLO PICASSO (1881-1973)
Quatre baigneuses
signed and dated ‘Picasso 21' (lower right)
oil on panel
4 x 6 in. (10 x 15.1 cm.)
Painted in 1921
